![]() The scenes between Gable's boss and Harlow's secretary are particularly important because there is a line they can never go near, yet there still needs to be the possibility of a romance. The film wouldn't work at all if we didn't see how much Van and Linda adored each other, and how well Van and Whitey worked together. He also has off-the-charts chemistry with both of his leading ladies, which is a great asset. Van is like a big puppy, and the actor completely embodies that. To understand what I'm talking about, let's dig into the film.Īs Van, Gable is delightful. I say "almost" because for me, the performances, particularly Harlow's, save the day. It's a plot point that is just too easy to make, and the movie almost collapses from the weakness of it. It's a film that can't stop showing you how in love Gable and Loy's characters are with each other and how in sync they are, yet it also can't help reverting to the old "silly wife makes a fuss over nothing" trope. With her, marriage was a partnership, something to be treasured because it likely made you a better person.įor the most part, Wife vs. Loy illustrated that marriage wasn't some dire prison that forever entrapped you into stiflingly dull gender roles. She would be an equal with her leading man, and together they'd have lots of witty repartee, warm embraces, and neverending fun. One of the most refreshing aspects of Loy's persona has always been that, even though she often portrayed wives, she didn't play into the nagging, eye-rolling stereotype. It's not exactly the sparkling romantic comedy you'd expect it to be, mainly because it does the one thing a film should never do: turn Myrna Loy into a jealous wife. Despite this stellar cast, I must admit Wife vs. ![]()
0 Comments
Leave a Reply. |
Details
AuthorWrite something about yourself. No need to be fancy, just an overview. Archives
December 2022
Categories |